Some of the key specifications of the Fujifilm GFX 50R are: The first thing you notice when taking the GFX 50R out of the box is just how light it feels. The control systems, menus, and features are largely similar to the other cameras in the Fuji lineup, and where it shines for me, is in the landscape. There’s really not much to say here as it’s all been said before with reference to the GFX 50S, which uses the same sensor and processor. Files from long exposures are also clean and noise free, giving the camera great appeal for fans of long exposure landscape photography. In landscape photography, the dynamics capture of a camera is especially important. I decided to shoot with it exclusively for a few weeks to familiarise myself with it and test its capabilities. The Fujifilm GFX 50R is quick to set up and highly customisable. There’s a lot to like about the GFX. Metering is accurate and both the LCD and EVF are bright and clear. I'm not interested in comparing cameras across different brands and looking for any differences or saying which I think is better as that's not what photography is about for me, I'm interested in cameras as creative tools and what they feel like to use when I'm in the field.Thanks to Andrea Livieri for help with the second cam and audio in this video https://www.youtube.com/user/AndreaLivieriPhotoIf you’d like to join me for a landscape photography workshop in some of the locations I captured here, I’ll be co-leading a Dolomites in Winter workshop in 2020, as well as tours to various other destinations. Menus are generally well-organised and changing settings is quick and easy. The difference in light can be better handled by cameras with high aperture dynamics. The idea of a 51.4 megapixel medium-format (ish) was hugely appealing to a landscape photographer but the combination of the price (£6199 at launch) and the small range of lenses was enough to prevent the dream becoming reality anytime soon. This is a camera which I would recommend unreservedly to any landscape photographer looking for the ultimate in image quality. Calling up and dismissing information on both the live view screen and EVF is simple and quick, making it easy to compose a shot with a screen free from clutter and distractions and then call up shooting information when setting exposure, focus and so on. The GFX 50S has been a big hit for Fujifilm, so the new camera comes as a bit of a surprise, being basically a repackaged 50S – it features the same sensor and processing engine and almost identical specifications, albeit housed in a sleeker, rangefinder-style body. The headline specification is probably the price of £3,999; so it’s clearly aimed at tempting full-frame users to move across to medium format. I’ll cover them in more detail in the full review. GFX 50R + GF110mmF2 R LM WR @ 110mm, ISO 200, 1/1600, f/2.0. You can read all the specs on the Fuji site or by clicking the links in this article. What I will be not be focusing too much on is the technical aspects of the Fujifilm GFX 50R. Despite its light weight, the camera feels solid; it is fully dust and weather sealed and rated to operate down to -10ºC. Large Medium format (44 x … This is so much nicer to use than having to press or hold a button and turn a control dial and is a feature I’ve missed on the 50S. It delivers stunning results and is a really well-thought out piece of kit, which is both easy and enjoyable to use. One disadvantage is that there is currently a rather limited range of lenses. Enjoy GFXMagazine and GFX Today for digital medium format photography adventures. Fujifilm GFX 50R: At a glance. In this Fujifilm GFX 50R review, we’ll see if it’s likely to succeed. The Fujifilm GFX 100 has a built-in vertical grip, making it easier for shooting in portrait orientation. The images above are mostly done using the Velvia Simulation, but … In shooting landscapes, you are almost always confronted with bright areas (sky) and dark areas (shadows in the foreground). The screen tilts, which is handy when shooting low or high viewpoints  – though not in portrait mode, as it only tilts in two directions, unlike the older GFX. Flash photography need not be as complex and technical as many make it. As seen above, Fujifilm GFX 50R has a 4.0x Larger sensor area than Fujifilm X-T3. On the negative side, some of the customisable buttons on the rear of the camera have a rather ‘spongy’ feel to them, which is a disappointing contrast to the crisp feel of the buttons on other Fujifilm cameras. GOOD. For sure the Fujifilm GFX 50R can be considered 'great' for certain forms of landscape photography. Is that enough to tempt you to pick one up for yourself? Fuji makes a point to clarify this and say it is their camera for the “G” format. A dedicated ISO dial would be nice and if I’d been in charge of designing the 50R, I would have set the ISO dial around the shutter speed dial as is the case on the X-Pro 2. Sample Images Intro Specifications Accessories Performance Compared User's Guide Recommendations More Fujifilm GFX 50R (27.2 oz./772g with battery and one SD card, has two SD slots, $3,999 new or about $3,700 used if you know How to Win at eBay) and Fujifilm GF 32-64mm f/4. GFX carries a large 43.8mm × 32.9mm sensor. Although slightly smaller than the one on the 50S, the EVF is slightly more comfortable to use, with less of the ‘shimmer’ which has bothered some users. bigger. I had seen wonderful, giant prints at the PhotoPlus event that were created with the Fuji GFX, and with some unbelievable Fuji deals out right now (as of right now you can get the GFX with the 63mm lens (50mm equivalent) or 45mm lens (36mm equivalent) for $1000 off), it peaked my interest on how it would do as a frequently used street camera. Achieving High Image Quality with G Mount. I love shooting seascapes in particular, and as the RPS has just added landscape photography to its Associate genres, an upcoming week’s holiday in North Devon seemed like the perfect opportunity to tackle that and the new camera. This is clearly one of the strength of larger sensor format cameras. Menus are generally well-organised and changing settings is quick and easy. My favorite landscape that I made with the Fujifilm GFX 50R. If… However, given the fuss that some users and reviewers made about what is actually quite an elegant piece of design, you can hardly blame Fujifilm for not repeating it. By default, it is set to change ISO settings and is somewhat vulnerable to being knocked, with the result that ISO can be inadvertently reset. When I started out, I was convinced that once the testing was over, I’d revert to using the 50S as my main camera. © Nature TTL 2014 - 2020. At 775g, it’s 50g lighter than its older sibling and 230g lighter than a Nikon D850, which is quite a noticeable difference. Detail is superb, especially when it comes to surface texture and images have outstanding clarity and sharpness. The GFX systems offers versatility to a wide audience from commercial to landscape photography. In short, this is the best image quality you will see without spending tens of thousands on a Phase One camera and back. The color processing and the film simulations that you can use with the GFX is great for nature and landscape photography. However, the essentials are now there and they are all of excellent quality – among the best lenses I’ve ever shot with. Equipment, Fujifilm, REVIEWS, Video Andy Mumford January 30, 2019 GFX, GFX 50R, medium format, fuji, fujifilm, review, camera review, landscape photography, dolomites, gfx landscapes Comment Facebook 0 Twitter LinkedIn 0 Reddit Tumblr Pinterest 0 0 Likes Large Medium format (44 x 33 mm) sensor Very High Resolution Sensor: 51.0MP Environmental Sealings Live-view Read the details . For starters, it’s big and heavy – similar in size and weight to a Canon 1DX mark II and about twice as heavy as its stable mate, the GFX 50R. Including illustrated articles on Fujifilm X system cameras and lenses. 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The Fujifilm GFX 50R in ‘Real Life Use’ The Fujifilm GFX 50R is quick to set up and highly customisable. On the 50S, the review and delete buttons were awkwardly placed but most controls are easy to reach on the new Fuji. The Fujifilm GFX 50R has provided a really enjoyable shooting experience, one that is at least as good as its sibling. Semantics aside it is a camera with a sensor that is larger than the 35mm full frame sensors of many of today’s DSLRs. It’s nicely finished, with a textured grip and the dials have positive detents. As well as being an excellent second body for existing 50S users, it is also a brilliant introduction to the world of medium format for those looking to upgrade from smaller sensors. The Fuji GFX is Fuji’s entry into what is commonly known as the medium format market. Autofocus is not especially fast, but it is accurate. Full disclosure, I'm a Fujifilm brand ambassador, so obviously I'm pre-disposed to enjoy their cameras, but I also try to ensure I'm as honest as possible about what I think about the cameras, both their good points and things that don't work for me. I have to say that despite shooting with the GFX 50S and 50R (read my review here), as well as being something of a fan of Fuji cameras generally, I really didn’t bond with the GFX 100 initially. Dimensions: 160.7 mm x 96.5 mm x 66.4 mm (6.33 x 3.80 x 2.62 in) Weight: 775 g (27.3 oz) LATEST PRICE FULL REVIEW. The front control dial has now been incorporated into the shutter button. These points aside though, the ergonomics of the camera are excellent and it handles extremely well. Get our best tutorials sent straight to you, and enjoy a copy of "10 Ways to INSTANTLY Improve Your Nature Photos". Speed isn’t really an issue, as medium format cameras have never been intended for fast-moving action, but this and the rather pedestrian (compared to 35mm and APS-C cameras) maximum three frames per second maximum burst speed means that it will appeal far more to landscape specialists than wildlife photographers. With that said, the image quality from the GFX 50S has proven to be very impressive in our laboratory and real-world testing, and as expected, the 50R's IQ is m… With its slightly lower weight and smaller overall dimensions, it will certainly be the camera I pack when I’m travelling. To be fair to the 50S, its ergonomics are excellent and if you prioritise function over form, there’s little to complain about. I got the chance to spend two weeks in shooting in the Dolomites with the Fujifilm GFX 50R earlier this month, and here's a review I put together. I used a 15-stop ND filter to shoot a fifteen minute exposure and managed to compose, meter, set exposure, and focus all with the filter in place. For example, I use a pair of manual focus Mamiya zooms, which as well as providing excellent quality, also cost less than £300 in total. The GFX 50R is equipped with a 0.77x3. Dynamic range is also impressive and the GFX 50R renders extremely clean shadow detail. A couple of months down the line, and I’m not so sure. The GFX system is still young and incomplete. Sharing experience of Fujifilm GFX and X system cameras for the photography enthusiast or professional. GFX 50R – GF23mm f/4. Check my website for more information https://www.andymumford.com/workshops/If you're interested in purchasing any of the gear I use in this video, and you enjoy my videos, please support my work by clicking on the affiliate links below. Image quality was never in doubt, given my previous experience with Fujifilm’s medium format range, but in use the 50R has exceeded my expectations and I imagine that it will get as much, if not more, use as my 50S. Featuring a large 51.4MP g format CMOS image sensor and x-processor Pro image processing engine, the GFX 50R delivers superior image quality in a compact and lightweight body reminiscent of their renowned medium format film cameras widely used in street and documentary photography. Fuji GFX100 Fuji GFX 50R Nikon D850 Nikon Z7 Canon 5Ds/R. This is largely due to Fuji’s determination to make this the first medium format camera with IBIS (in-body i… While it is not a great camera for fast-moving subjects, you will be rewarded with great results if you are willing to be patient. Over so many years of photography, from film 35mm to 4x5 large-format, to the digital realm, I have finally come to terms with my gear. Rule of Thirds in Photography: Composition Tips, How to Find Your Camera’s Shutter Actuation Count. The 50R is a slimmer and more elegant camera than the 50S, which has attracted some flak for not being the prettiest camera out there, especially when put side-by-side with its nearest rival, the Hasselblad X1D. This is easily resolved by re-assigning the dial to another function and assigning ISO to one of the custom buttons on the top or back of the camera. The Best Camera For Landscape Photography Has Weather Sealing! As a consequence of the shutter button/front control design, the on/off switch has been moved to the side of the shutter; not as convenient as having one which sits around the shutter but it’s certainly not a problem and no more awkward than with some other cameras, such as the Canon 5D series. In the first quarter of 2017, Fujifilm caused a stir when they introduced the GFX 50S – the cheapest medium format camera at the time and only the second mirrorless medium format body (the first being the Hasselblad X1D). Fujifilm's GFX 50R takes the image quality from the existing 50S model and wraps it in a new body with new controls and a lower price of entry. I have to admit I was sceptical about this at first, but having been shooting with the camera for a few weeks now, I find it works well. The sensor is not a "full-size" medium format sensor, but is instead 43.8 x 32.9 millimeters, which while a fair bit larger than a full-frame image sensor is not as large as the medium-format sensor found in cameras like the Phase One IQ4 150MP, for example. With a price point of $4-5K, it’s not meant for everyone, but it definitely has a place in this market … He is the author of 4 books, his most recent being ‘The Art of Landscape Photography’ (co-authored with Ross Hoddinott), and has won a number of awards in various competitions, including the Take a View Landscape Photographer of the Year, International Garden Photographer of the Year, Outdoor Photographer of the Year and International Landscape Photographer of the Year. Enjoy fuji gfx 50r landscape photography and GFX Today for digital medium format ( 44 X 33 mm sensor! To you, and enjoy a copy of `` 10 fuji gfx 50r landscape photography to INSTANTLY Your. Ii in 1995 buttons were awkwardly placed but most controls are easy to reach the... Of a camera is fuji gfx 50r landscape photography important over 10 years one that is at least as good as its sibling which. Format market the landscape photography, the dynamics capture of a camera is especially.... 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